Understanding the Preferences menu

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5.0.0 Release: iZotope branding for GUI and User Guide; Minor fix in VST logic to make sure input buffer is cleared. In a few rare cases, this had caused a noise at startup. IZotope have today released RX6 Standard and RX6 Advanced and also added a new product, RX Elements which replaces the RX Plugin Pack and includes the RX 6 Standalone Editor application as well as the plug-ins that were in the RX Plugin Pack. New modules in RX6 include De-rustle, De-wind, Dialogue Isolate, and De-bleed. Dec 28, 2015  iZotope RX 5 Audio Editor Final is an ultimate audio noise removal and loudness control software designed for professional audio and video editing to improve the sound quality, reduce noise and resolve audio problems to recover the high-quality of a sound file. If you own or create a movie and you want to adjust the sound level to a normal status then this program is what you need. Oct 28, 2015 So keep on improvising and recording, without a worry in the world, knowing that youll be able to fix-it-in-the-mix with iZotope RX 5 and the skills youll learn in this course! More info on this. After removing your authorization, RX 5 Audio Editor’s authorization screen will pop up when you restart the program. Now you can re-authorize using a new serial number. You may also remove your authorization at any time in order to run in Trial or Demo mode. How to contact iZotope Customer Care. For additional help with authorizing RX 5. IZotope, Inc. Is an audio technology company based in Cambridge, Massachusetts, United States. IZotope develops professional audio software for audio recording, mixing, broadcast, sound design, and mastering which can be used in wide range of Digital Audio Workstation (DAW) programs. It seems that along with Christmas, another regular annual event we can rely upon is a new version of iZotope’s RX Audio Editor software. Incorporating an ever-expanding collection of sophisticated tools for repairing, restoring and enhancing audio files, RX has now reached version 5, with both standard and Advanced editions available.

Driver Type

Allows you to select a sound card driver model to use for playback and recording.

Note: Some hardware devices monopolize the audio drivers when sending audio clips to RX via RX Connect. If you are not able to hear the audio sent to RX from your DAW via RX Connect, change the audio driver to RX Monitor in the Driver type menu. See RX Monitor.

The rest of the dialog contains settings for your audio device and also includes a test tone generator.

Input/Output Device

Choose the device/sound card you want RX to use for playback and recording.

Buffer Size

The total playback buffer size. In general, lowering these buffer sizes will improve meter responsiveness and lower latency, but increase CPU needs. Raising buffer sizes will lower CPU cost but increase latency. It's worth exploring these ranges to find values that work best on your system.

Num Buffers

Number of playback sub-buffers. (MME Only.)

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Channel Routing

For ASIO and CoreAudio drivers, click this button to choose which input and output channels RX uses. Click the Channel Routing button to open the Channel Routing dialog box.

Configure Driver

Launches the manufacturer’s driver configuration dialog.

Release when not in use

Auto-closes the audio device when playback in RX stops, freeing it for use in other audio applications. Disable this if playback from RX isn’t responsive enough.

Test Tone

The test tone generator is useful for testing your speakers, audio hardware and listening environment. Tones at set frequencies or at a custom frequency can be used as test tones, as can white or pink noise. In addition, a Channel Identification mode will identify left and right speakers.

Enable

Starts playback of a test tone.

Type

Sets the type of test tone to play.

Volume

Sets the volume of the test tone.

Frequency

Sets the frequency of the test tone.

Output Gain

Output gain allows you to nondestructively adjust the playback level of RX 5 Audio Editor.

Display

Show tooltips

When enabled, hovering over an RX feature with the mouse cursor will show a short description of the feature.

Display cursor coordinates in status bar

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When this is enabled, the time coordinate of the cursor is shown in the status bar at the bottom of the RX main window. The amplitude of the audio at the cursor position and the frequency at the cursor position is also shown. Fade 1 to 2 djay.

Show analog waveform

When digital audio is played back, it is converted to analog. The peak values in the analog waveform can be larger than the peaks in the digital waveform, leading to clipping in the output of a digital-to-analog converter. When Show analog waveform is enabled, RX will compute an analog waveform in the background. Any peaks will be highlighted in red on top of the existing digital waveform.

At very extreme zoom levels, RX always displays an analog waveform.

Offload waveform calculations

When this is enabled, RX's waveform display will be computed in the background. This allows very large files to be loaded very quickly, but it slows down RX's waveform displays.

Waveform interpolation order

If you zoom into the waveform so that individual samples become visible, RX will display an upsampled analog waveform as well as the individual digital samples. The interpolation order controls the quality of upsampling. Higher values yield more accurate analog waveforms at the expense of CPU usage.

Brightness

Adjusts the general brightness of the RX interface, allowing you to make RX more readable on your specific display.

Floating window opacity

Changes the opacity for RX's floating windows. This can be useful if you wish to leave floating windows on top of the spectrogram and waveform without completely obscuring the display.

Keyboard Shortcuts

While RX includes default keyboard shortcuts, you can also customize them to your liking.

Presets

Save groups of key assignments with this tool.

Show commands containing

Lets you search by keyword for a command you want to assign to a keystroke.

Shortcuts for selected command

Shows if there are any keystrokes assigned to the command selected in the above menu.

Remove

Removes the currently assigned keystroke from a command.

Press Shortcut Key

To assign a new keystroke to a command, select the command from the menu, then click in this field and press a key or combination of keys.

Assign

Assigns the entered keystroke to the current command. The shortcut will only be assigned to the current command if you press this button.

Shortcut key currently used by

Lists commands that the current keystroke is assigned to.

Note: On Windows systems, by default, 'Alt + a letter' will open the corresponding menu for your currently open application. Alt + V for example will open RX's View menu drop down. By default, none of RX's shortcuts should conflict with these keyboard shortcuts, however if you wish to assign Alt + V to another operation, it will take precedence over the View menu.

Miscellaneous

Session data folder

Allows you to choose a different folder to save RX's temporary session data. These files are created to allow actions to be undone and sessions to be recalled in RX. Because these can be very large, it is best to set this to the drive on your computer with the most free space.

Time scale frame rate

This sets the frame rate used to draw the time scale when RX is set to display the time code (see View menu or right-click the time ruler to change this setting). Choose from a list of standard frame rates or click in the combo box to define a custom frame rate.

Default full-bandwidth paste mode

This controls RX's behavior when pasting a full-bandwidth audio selection. Insert will move aside existing audio, Replace will overwrite existing audio, and Mix will add to existing audio.

Default limited-bandwidth paste mode

Similar to the full-bandwidth paste mode, this controls RX's behavior when pasting a limited-bandwidth audio selected.

Resume last editing session when app starts

On RX's start-up, the last audio file will be reloaded along with full history list of any edits made.

Automatically open files ending with .L and .R as split stereo

Mono audio files with (.L and .R) as well as (.1 and .2) extensions will be opened as stereo files when this option is enabled.

Recall selections during undo/redo

When this is enabled, RX will recall the selection used for an item in the undo history. When browsing the undo history, the selected region will be restored along with the audio.

Sometimes it is useful to turn this off if you need to compare undo history items and not break your current selection (like a useful loop).

Play only selected channels

If only a single channel of audio is selected and this option is enabled, all other channels will be muted during playback.

Calculate RMS using AES-17

Uses the AES-17 1998 standard for RMS calculations (0 dB is a full scale sine wave) in the level meter, Waveform Statistics and Leveler modules. The other option is when 0 dB is the RMS of a full-scale square wave. These options differ by 3 dB.

Pre- and Post-Roll during preview (ms)

When Previewing audio processing in any module, the specified time amount will be added to the beginning and end of the previewed selection in order to provide contrast between unprocessed and preview-processed audio.

Selection Feathering (ms)

This control allows for crossfading of processed and unprocessed audio when processing. If you need to make more precise edits, set this to 0.

Authorization & Updates

This tab enables you to authorize and deauthorize the software, as explained Authorization.

Plug-ins

Use these options to manage your third party audio processing plug-ins.

VST/Audio Unit/DirectX plug-ins

These areas show what plug-ins are available for the specified format, which may vary depending on your OS. You can also enable or disable every plug-in for the specified format using the Enable/Disable button.

VST plug-in folders

Lets you add or remove custom VST plug-in folders. RX uses the system VST plug-in folder by default. If your VST plug-ins do not show up, try using this option to add the directory where they are kept.

RX will also scan the first level of subfolders in this folder. If some of your plug-ins do not show up when you scan them, and you know they’re in a subfolder of your plug-in folder, try moving them up one directory level.

Group plug-ins by name in plug-in menus

When enabled, the RX plug-in menu will group plug-ins by common first words, usually the manufacturer’s name.

When disabled, the RX plug-in menu will appear as a single, alphabetically sorted list.

Rescan

If RX detects that a plug-in is unstable, it will blacklist it and prevent it from being opened.

This option allows you to clear RX’s blacklist of unsupported plug-ins and rescan all installed plug-ins in case an RX update or an update from the plug-in manufacturer resolves the issue.

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New in RX5 is an Instant Process option that can really help to speed up repetitive tasks.

The latest version of iZotope’s best-selling restoration software adds powerful new modules, as well as a Post Production Suite bundle aimed at film and TV applications.

It seems that along with Christmas, another regular annual event we can rely upon is a new version of iZotope’s RX Audio Editor software. Incorporating an ever-expanding collection of sophisticated tools for repairing, restoring and enhancing audio files, RX has now reached version 5, with both standard and Advanced editions available. The company have also released a new flagship product called the RX Post Production Suite; as the name implies, this not only includes RX5, but also the Insight metering system, RX Loudness Control and RX Final Mix products as well. The idea is to provide a full suite of tools that cover all aspects of audio post-production including audio repair, mixing and final delivery.

Insight

I reviewed the impressive Insight audio analysis and metering plug-in (v1.01) in the March 2013 issue of Sound On Sound, so will cover it only briefly here. Insight is included in the Advanced version of RX5 as well as the Post Production Suite and, in brief, provides a customisable loudness and true-peak meter, with support for channel formats up to 5.1 and presets for the international BS.1770 loudness standard variations. It also includes stereo and surround-sound ‘sound stage’ displays, spectrum analysers, and both 2D and 3D spectrogram modes. The display window can also be customised to show or hide the different display options as may be required for different applications or preferences.

The latest version is 1.04, but the only significant changes compared with the version I reviewed, apart from a few small bug-fixes, are to the supported platforms and plug-in formats. For example, Insight now supports Mac OS 10.11 and Windows 10, with host support for Pro Tools 12.3, while DirectX support has been dropped.

RX Loudness Control

RX Loudness Control works as an offline AAX AudioSuite plug-in in Avid’s Media Composer and Pro Tools (v10 to 12), or as an Audio Extension for Adobe’s Premiere Pro. Its functionality is derived in part from the loudness-normalisation algorithms within Insight and the Loudness Modules in RX4/5, but it also has features that go beyond the capabilities of both. In essence, the loudness parameters needed to comply with a particular programme delivery specification — such as the integrated loudness target level and maximum true peak value — are dialled into RX Loudness Control, after which the programme mix (in any format from mono to 5.1) is then rendered through RX Loudness Control.

The audio is analysed (faster than real time) and any transgressions are then displayed to allow the user to manually amend the mix to resolve any detected issues. Alternatively, the audio material can be corrected automatically and transparently through the plug-in’s built-in compression and peak-limiting tools.

RX Final Mix

Designed to simplify and speed up the task of mixing audio, the RX Final Mix plug-in combines automatic dynamic EQ and true-peak limiting tools and is aimed primarily at video editors and for use in TV and film audio post-production. The plug-in can be employed on stems or the final mix bus, supports all surround formats up to 7.1, and is designed to help control and blend multiple mix stems.

Final Mix incorporates dynamic EQ that is optimised to increase the intelligibility of dialogue.

The dynamic EQ is particularly useful in helping to maximise speech intelligibility through intelligent un-masking: pushing down any parts of the mix spectrum that might obscure important speech frequencies, moment by moment. It is equipped with six parametric bands, plus high- and low-pass filters, any of which can be set manually or for automatic programme-dependent operation. The latter has both compression and expansion options with user-adjustable thresholds set independently per band. Different parts of the audio spectrum can therefore be attenuated or emphasised and, when skillfully applied, this provides improved dialogue clarity by reducing any masking elements from background music and effects. It can also increase the dynamic impact of special effects, for example by raising the low-frequency region during explosions, and the like.

Moving on to the limiter feature, this can be optimised either for transparency or low latency, with three different sound-character options (clear, smooth or thick), and the ballistics are intelligently programme-dependent. The true-peak limit threshold is adjustable, and a separate gain slider allows the average volume to be increased by up to 20dB, if required.

The other main element of Final Mix is a simple-to-use limiter.

RX5 Advanced Audio Editor

The core RX audio restoration package is already such a powerful and versatile system that it might seem there is little room for practical improvement with each new generation. However, the Advanced version of RX5 included with the RX Post Production Suite manages to squeeze in a number of new workflow enhancements, better default settings, and closer integration with Avid’s Pro Tools — and even a few new processing modules, too!

The dedicated De-Plosive module is a new addition to RX5 Advanced.

The headline feature for the Advanced version of RX5 is a brand new De-Plosive module, which, as its name implies, is designed to remove distracting plosive sounds from dialogue tracks. This is claimed to be an “industry first” (although CEDAR came up with their DeThump algorithm over 15 years ago..). Another all-new module for RX5 Advanced is the versatile Signal Generator, which can create a variety of precise test tones with different wave-shape options, filtered noise, profanity bleeps, and so on. The Leveler and Ambience Match modules from RX4, which are only available in the Advanced version, have also been updated and improved. The Leveler module analyses a dialogue or vocal track and works out an intelligent clip-gain envelope to de-breath, de-ess and generally smooth out the voice level, while the Ambience Match plug-in automatically constructs a consistent background ambience track from whatever ambience already exists, which is particularly useful when rebuilding heavily edited dialogue or working with ADR tracks.

A welcome addition to RX5 Advanced is the new Signal Generator module.

Both the Standard and Advanced versions of RX5 benefit from a new Instant Process tool button, which has been added to the bottom of the main audio display window. This is a semi-automatic version of the Spectral Repair module, and it works much like the ‘magic eraser’ tools found in photo-editing programs. If the Instant Process button is pressed, a problem sound element can be highlighted with the usual shape selection tools, and instantly attenuated, de-clicked, faded or replaced (as pre-selected in a configuration box). This feature provides a much quicker means of removing lots of clicks, for example, and really speeds up repetitive tasks.

Another new module provided in both versions of RX5 is a greatly improved EQ module, now called Corrective EQ. This features six separate parametric bands, plus configurable high- and low-pass filters (with four slope options). The module can also be switched between ‘analogue’ or ‘digital’ modes, with usefully different filter characteristics. A new Module Chain facility is also provided in both versions, and this allows any number of different RX5 modules to be loaded in a specific order, configured, and then operated automatically in sequence with a single click to perform complex audio processing tasks in a single pass.

Now rechristened Corrective EQ, RX5’s equaliser has been considerably improved.

There are a number of other worthy enhancements to this latest version of RX, starting with a subtly improved toolbar layout, with bigger icons and more obvious navigation and zoom controls. Retina screen support has been added for Macs, giving sharper text and graphics. And when working with long audio files, the Marker and Region search facilities have been improved to make finding required sections quicker and easier. Over 60 new ‘problem-oriented’ presets have been provided for the various modules, too.The Module Chain feature allows multiple RX processes to be combined into a single macro.

Impressions

I’ve been an enthusiastic user of iZotope’s RX for a very long time now, and find it an extremely capable audio restoration platform — although it takes some persistence and diligence to properly understand and master its sophisticated processing tools. RX5’s new De-Plosive module is a very welcome addition to the already quite comprehensive suite of tools, and it is highly effective. I also like the improved Corrective EQ module very much, while the new Instant Process feature is handy for simple repetitive spectral fixes. Another useful new facility for more complex repetitive work is the Module Chain, which allows a string of processes to be performed in one click. Experiments with the Ambience Match and Leveller modules showed them to be easy to use and very effective, too, and I can see them becoming popular in audio post-production for film and TV.

Moving beyond RX5 Audio Editor, the full-featured RX Post Production Suite is a very useful collection of tools for the film and TV post-production, world where loudness normalisation is now a crucial element. The Insight metering and Loudness Control plug-ins make it very straightforward to conform with the appropriate loudness standards, either while mixing or to correct pre-recorded material. The Final Mix plug-in is the only element of the suite that was entirely new to me, but I was impressed with the capabilities of its dynamic equalisation and limiter processes — although such powerful tools require great care, as they can wreck a mix more easily than improve one!

Alternatives

CEDAR’s Cambridge Suite offers a similarly comprehensive collection of audio restoration tools that are more advanced and easier to use, but at a much higher price and less oriented towards film and TV post-production.

Pros

• Loudness normalisation made easy with Insight’s metering and Loudness Control’s analytical and corrective facilities.
• Mix enhancement through RX Final Mix dynamic EQ and limiting tools.
• New De-Plosive processing module.
• Greatly improved Corrective EQ module.
• Module Chain and Instant Process features speed up repetitive tasks.

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Cons

• Tools this sophisticated and capable will never be cheap!

Summary

A comprehensively equipped package of audio management, restoration and enhancement tools, now incorporating a Post Production Suite aimed at the film and TV market.

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